Abstract

The fierce warmth of the natural landscape during the autumn months.

The painting is a homage to the centuries-old ‘Pochampalli’ style of weaving that, in the 21st century is conserved by fewer than 10,000 weaving families in India. In the dimensions and intersections of colour, Gaya celebrates the depth and richness of the fabric and the…

Seams of gold amongst a backdrop of a land of stark contrast.

A festival of colour and texture, this painting is a love note to Queensland’s underrated gem – a vibrant community of many-dimensional voices against a backdrop of classical Australiana.

The painting is a nod to the distinctive rural environment of Australia. Pilbara, a sparsely populated area of Western Australia, is known for its barren natural palette and wealth of mineral resources which Gaya has worked to reflect in the delicate play of luminosity and…

A dance of pigment on wood.

Afternoon considers the nuances of colour with flowing beige and neutral tones set as a background to the fluent blues and orange notes. the subtlety and tranquility here, on all accounts, evoke the whispers of spring and a rich 4 o’clock lull.

Complex use of mediums evolved to depict a mirage of colour and memory.

Inspired by the teetering balance of modern and natural in the landscape of Melbourne, Gaya’s billowing and richly colourful painting invokes the heritage of the Wurundjeri country and the traditional custodians of the land.